ClassFiction Toolkit: Postcolonial Fantasy and Horror Writing
It’s one thing to feel scared when we watch scary movies, and it’s another to feel that same fear as we read. Writers throughout history have found ways of communicating dread, terror, paranoia, and anguish through the written word. The French Continental philosopher Maurice Blanchot writes: “Disaster shuts down language. Disaster cannot be fathomed. Disaster stops all speech because the suffering it causes is so total and complete.” Ironically, horror writing emerges out of this disastrous speechlessness, mining the breakdown of speech for its capacity to fundamentally disorient and perturb us. And what happens too when the horror is not supernatural creature but instead the human?
Then we find ourselves in the afterlife of the postcolonial, or own present-day paranoid condition in which late-stage capitalism forms the suspenseful backdrop of our inevitable demise. Horror writing––or otherwise, the writing of the disaster––springs out of a lived persecutory reality, one which the postcolonial activist is intimately aware of. Thus our examination of horror writing will comprise a series of horror films and literary texts, as well as texts from psychology and psychoanalysis (e.g. Melanie Klein’s description of “paranoia”). Students will walk away with new horror writing and reflective writings about the intersection of horror and the postcolonial afterlife.
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